The Critic, The Trickster, The Magician, The Weirdo: Mythic Realms on the Streets of San Francisco? An essay and four Questions for Justin Weiner, Web Designer, The 12th Annual How Weird Street Faire. Sunday May 1st.



The Critic, The Trickster, The Magician, The Weirdo: Mythic Realms on the Streets of San Francisco? An essay and four Questions for Justin Weiner, Web Designer, The 12th Annual How Weird Street Faire. Sunday May 1st. Support by openmythsource.com

Interview with Justin Weiner by Willi

What is sacred to you?

The things that connect us to each other and to the rest of the universe. In other words, that which is both inside of us and outside of us.

Can you give us some of the old symbols and some new ones that you are fond of in mythic realms?

I like the symbols of sacred geometry, and those things which reflect the order and underlying nature of the universe.

How does electronic music support the mythos?

Electronic music has changed the way people interact with culture. In the traditional paradigm of popular music, the audience acts as spectator while a well-known musician entertains the passive crowd. Electronic music events often focus on the experience, rather than the personality on the stage. The electronic music experience includes the audience in the performance, with each person dancing and participating in their own way. The concept of one person doing all the creative work, which is similar to the way mainstream media works, is being replaced with the concept of everyone participating in creative actions, which is more similar to the way the internet works.

Is technology creating new myths or destroying old ones – or neither?

Technology is certainly creating new myths, but it is also rediscovering
old myths and making them available to a much larger audience than before. The internet has helped people find myths from around the world quickly and easily, and has also provided a medium to spread new and individual myths and ideas. I don’t think technology is destroying older myths, as much our changing our understanding and perspectives on those myths.

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Mythical Realms: Essay for the Faire by Justin Weiner

Every tradition in the world has common ideas about the different types of people, representing both our outer actions and our inner personality. All cultures share similar ideas about the types of societies and places where people may live. These are the mythical realms of our stories, and the theme of this year’s How Weird Street Faire.

There is the perfect society or paradise, such as Utopia. There is the exotic location filled with diversity and wonder, like Milliways and Tatooine. There is the magical and the sacred, such as Avalon, Hyperborea, and Shambhala. And there is the abstract modern world of Cyberspace, and the land of Information. Each of these perspectives provides an alternative view of the reality we all share, thus opening up a new world of possibilities.

Mythical realms can create experimental ways of living, where solutions to society’s problems are worked out. They are the scratch pads for social innovation, exploring new paradigms and ways of interacting. They are the places where the past is celebrated, and the future is invented and nurtured.

They are the lands of our dreams, our hopes, and our fears. Our myths allow us to better understand ourselves and others. Depth psychologist David McInerney says that “myth is a catalyst for therapeutic healing… offering a greater understanding of the inner world of human beings and how they are connected to one another.” Modern science is now acknowledging what has been known for centuries, that health and wellness are deeply related to thoughts and emotions, to the subconscious world.

Carl Jung and Stanislav Grof, two of the world’s leading psychologists, each describe the mythological realm as a vehicle to understand and explore the subconscious. Myths are used to transmit complex truths and to preserve knowledge. Carl Jung explained, “What we are to our inward vision can only be expressed by way of myth.”

Based on thousands of clients, Jung and Grof’s conclusions are that human beings are not that different after all. The myths of the fall from heaven, the battle between life and death, longing for love, and fighting for revenge appear over and over again throughout history. From the perspective of psychology, metaphors and myths are the places that connect the conscious and the unconscious self. And also people to each other, across cultures and time.

We carry with us the dreams of our ancestors, passing them on to future generations. The “land of freedom and democracy” is our common ideal society. Even George Washington dared to envision a mythical realm where peace could exist. In his Farewell Address of 1796, President Washington asked the new nation just emerging from war to “observe good faith and justice towards all nations, cultivate peace and harmony with all.” He warned that “overgrown military establishments are under any form of government inauspicious to liberty.”

Martin Luther King, Jr. once said, “We can dream of an America, and a world, in which love and not money are civilization’s bottom line.” America still has a long way to go before reaching its ideals, and ending all wars, which is why it’s important to have stories and lessons to inspire and guide us.

“What lies behind us, and what lies before us, are tiny matters compared to what lies within us.” – Ralph Waldo Emerson

You don’t have to travel far to find a “place of peace”. Peace exists within each of us, in our hearts and minds. It is a way of thinking, of reacting to others, of behaving as if someone else is another you. It is a way of seeing the whole in all of the parts, and seeing the connections between all things. Gandhi once wrote, “We are constantly being astonished these days at the amazing discoveries in the field of violence. But I maintain that far more undreamt of and seemingly impossible discoveries will be made in the field of non-violence.”

Peace may seem like an idealistic dream in a world filled with wars and conflict, but it is also a daily reality, practiced in every land and every city. It exists wherever people work together. It exists in every selfless act done for family, friends, and strangers. It exists when people show respect, and truly understand each other. In fact, without the countless displays of cooperation that take place continuously, our society would collapse.

Peace is the foundation of every community, the cornerstone of every family. Although our ideologies may separate us, our dreams and myths bring us together.

We are seeing more and more around the world that people are being empowered by technology to rise up and demand a better world now, making our collective dreams a reality. Peace is possible. Peace is not a myth.

The Critic holds up a mirror. The Trickster holds up a window. The Magician turns it into a door. And the Weirdo jumps through it.

This is a metaphor for the process of changing society, and also a description of the peace movement and its evolution from ideas to action.

The Critic declares that reality is currently filled with problems that can be solved. The Critic represents the anti-war protests, individuals, and organizations who question the government’s role in armed conflict and war as a way of resolving differences. The Critic opens our eyes to the current situation, and its problems, paving the way for change.

The Trickster imagines another world of possibilities, and shows them to society. They represent those who are envisioning a world at peace, and a just society. They are the artists and philosophers and teachers who bring out the dreams of youth and nations, inspiring people to imagine and seek a better world.

The Magician takes the issue outside of ourselves, connecting to the larger picture or universal view. The Magician shows that we are all connected by an unseen force, opening up unlimited potential for change and growth. They represent what happens when religions become involved in the peace process, instilling it with intention.

The Weirdo (or Non-Conformist) is the first to try out these new potentials, boldly exploring new ways of living and thinking. They have less attachment to the status quo, and do not fear the unknown. They are curious types, who adapt quickly to alternative realities.

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About the Faire this Year

San Francisco’s street fair season begins Sunday May 1, 2011 with the 12th annual How Weird Street Faire. Once again, the city’s streets will be transformed into a celebration of peace and creativity, as thousands of people journey to the “Mythical Realms” of Howard Street.

All cultures share similar ideas about the types of societies and places where people may live. These are the mythical realms of our stories, and the theme of this year’s faire. There is the perfect society or paradise, there is the exotic location filled with diversity, and there is the magical and the sacred. Each of these perspectives provides an alternative view of the reality we all share, thus opening up a new world of possibilities.

The How Weird Street Faire envisions a place of peace, where all people can come and find some similarities and common interests among diverse music and art, building bridges of understanding and friendship. A place to celebrate all of the ways people cooperate and work together. A place where our differences and unique perspectives are appreciated as things of beauty, rather than causes for conflict. And most importantly, we envision a place of fun.

But unlike the mythical realms of our imaginations, this place of peace really exists. And you can visit it yourself and participate!

Contact Justin –
Justin at peacetour.com

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About [ open myth source ]

The [open myth source] project gathers conversations, symbols, songs, visual art and stories. Building a house for Myth in the Sustainability Age.
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